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Marshall Code 25 – nine months later

In August of 2016, I bought the first Marshall Code 25 combo that landed in my regular music store. The initial impression was very positive. How has it held up?

The upside is that the Code 25 is a compact little amp that takes up hardly any space, and I haven’t been inspired to tweak new sounds since a handful of the built-in patches are just fantastic. I have drifted away from my original favorite patches (41 Bluesbreaker, 51 JCM 800 and 67 Silver Jubilee) in favor of 44, 52 and 68, which are basically identical except for the added reverb. Sometimes I do a bit of tweaking on the fly just for variety’s sake, mostly it’s about rolling off the bass, but sometimes I’ll add some chorus when I feel like channeling Mr. Lifeson, and whenever I use it with one of my Fenders, I add a bit more gain. Patch #44, Bluesbreaker with Reverb, with a Fender and the gain at 7 or 8, is a very inspirational sound indeed!

What I don’t like is that the speaker still appears to be underpowered, it just can’t handle the bass frequencies whenever I play with less distortion. It farts out in a very unmusical way. Hence the rolling off of the bass that I mentioned above. I can also report that I still haven’t been tempted to track anything in Reaper with the Marshall. It might edge out the Blackstar ID:30 as an out-of-the-box practice and home shredding amp, but it just can’t do the big, boomy Fender sounds that the Blackstar can, and it doesn’t sound as organic when going from the line out into my sound card. And I do get tired of that classic Marshall master volume taper: inaudible – [scratch] – LOUD AS HELL.

Having said all that, I still think I got my money’s worth and I haven’t regretted my purchase in the slightest. I would recommend this amp to anyone looking for a compact, affordable practice amp. Just don’t expect it to do it all, and if you prefer American sounds, look elsewhere.

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Posted by on 22 May, 2017 in gear, review

 

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