For quite a few years, I went back and forth between DiMarzio Cliplock straps and Ernie Ball’s more traditional Polypro model. It really seems as if it varies according to where my main focus lies. If I’m more about practicing and recording, then I don’t want those plastic things flapping about when I’m sitting down somewhere, but as soon as I spend a bit of time rehearsing or even playing live, I realize what I really need.
In the last two years, I’ve learned the hard way what happens when you don’t take something like this seriously. When I bought my blue Stratocaster, I was in no big hurry to set it up with a Cliplock, and I couldn’t even be bothered to get the little round thingies that secure a regular strap to the lug. Well, the strap came off during a rehearsal and my precious Blue crashed right down onto my pedalboard. Nothing broke. It didn’t even go out of tune. But there is an ugly scar on the back of the body, and a three-inch gash on the back of the neck where the top coat seems to have cracked somewhat. It appears to be aligned with the “skunk stripe”, the long piece of walnut that covers where the truss rod is inserted in the factory. Luckily, my regular hand position is unorthodox enough that I don’t really feel it. But I know it’s there, and above all it’ll go on bothering me until I can get it to a luthier for some kind of fix.
The moral of the story is pretty easy to deduce. I can no longer afford not to get Cliplocks for any new guitars I might add to the collection. I immediately went online and bought two sets of end pieces, that went on Blue and the baritone as soon as I got the package in the mail. Probably I should get another, as a spare, in case something happens to one of my existing setups, or I get a new guitar – whichever comes first!